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A number of utopian social movements throughout history have shared a vision of free love. The all-male Essenes, who lived in the Middle East from the 1st century BC to the 1st century AD apparently shunned sex, marriage, and slavery.[14] They also renounced wealth, lived communally, and were pacifist[15] vegetarians. An early Christian sect known as the Adamites—which flourished in North Africa in the 2nd, 3rd and 4th centuries—also rejected marriage. They practised nudism while engaging in worship and considered themselves free of original sin.

In the 6th century, adherents of Mazdakism in pre-Muslim Persia apparently supported a kind of free love in the place of marriage,[16] and like many other free-love movements[citation needed], also favored vegetarianism, pacificism, and communalism. Some writers have posited a conceptual link between the rejection of private property and the rejection of marriage as a form of ownership[citation needed]. One folk story from the period that contains a mention of a free-love (and nudist) community under the sea is "The Tale of Abdullah the Fisherman and Abdullah the Merman" from The Book of One Thousand and One Nights (c. 8th century).[17]

Karl Kautsky, writing in 1895, noted that a number of "communistic" movements throughout the Middle Ages also rejected marriage.[18] Typical of such movements, the Cathars of 10th to 14th century Western Europe freed followers from all moral prohibition and religious obligation, but respected those who lived simply, avoided the taking of human or animal life, and were celibate. Women had an uncommon equality and autonomy, even as religious leaders. The Cathars and similar groups (the Waldenses, Apostle brothers, Beghards and Beguines, Lollards, and Hussites) were branded as heretics by the Roman Catholic Church and suppressed. Other movements shared their critique of marriage but advocated free sexual relations rather than celibacy, such as the Brethren of the Free Spirit, Taborites, and Picards.

Frontispiece to William Blake's Visions of the Daughters of Albion (1793), which contains Blake's critique of Judeo-Christian values of marriage. Oothoon (centre) and Bromion (left), are chained together, as Bromion has raped Oothoon and she now carries his baby. Theotormon (right) and Oothoon are in love, but Theotormon is unable to act, considering her polluted, and ties himself into knots of indecision.

[edit]Eighteenth and nineteenth century Europe

In 1789, radical Swedenborgians August Nordenskjöld and C.B. Wadström published the Plan for a Free Community,[19] in which they proposed the establishment of a society of sexual liberty, where slavery was abolished and the "European" and the "Negro" lived together in harmony. In the treatise, marriage is criticised as a form of political repression. The challenges to traditional morality and religion brought by the Age of Enlightenment and the emancipatory politics of the French Revolution created an environment where such ideas could flourish. Though at first an ardent, even dogmatic supporter of such liberating aspects of the Revolution, in his policies as Emperor Napoleon later repudiated them, a move typical of revolutionaries who come to power. A group of radical intellectuals in England (sometimes known as the English Jacobins) supported the French Revolution, abolitionism, feminism, and free love. Among them was William Blake, who explicitly compares the sexual oppression of marriage to slavery in works such as Visions of the Daughters of Albion (1793).

Another member of the circle was pioneering English feminist Mary Wollstonecraft. Wollstonecraft felt that women should not give up freedom and control of their sexuality, and thus didn't marry her partner, Gilbert Imlay, despite the two conceiving and having a child together in the midst of the Terror of the French Revolution. Though the relationship ended badly, due in part to the discovery of Imlay's infidelity, and not least because Imlay abandoned her for good, Wollstonecraft's belief in free love survived. She developed a relationship with early English anarchist William Godwin, who shared her free love ideals, and published on the subject throughout his life. However, the two did decide to marry, just days before her death due to complications at parturition. In an act understood to support free love, their child, Mary, took up with the then still-married English romantic poet Percy Bysshe Shelley at a young age. Percy also wrote in defence of free love (and vegetarianism) in the prose notes of Queen Mab (1813), in his essay On Love (c1815) and in the poem Epipsychidion (1821):

I never was attached to that great sect,

Whose doctrine is, that each one should select

Out of the crowd a mistress or a friend,

And all the rest, though fair and wise, commend

To cold oblivion...

True love has this, different from gold and clay,

That to divide is not to take away.

Sharing the free-love ideals of the earlier social movements—as well as their feminism, pacifism, and simple communal life—were the utopian socialist communities of early-nineteenth-century France and Britain, associated with writers and thinkers such as Henri de Saint-Simon and Charles Fourier in France, Robert Owen in England, and, perhaps most far-reaching, the German composer Richard Wagner. Fourier, who coined the term feminism, argued that true freedom could only occur without masters, without the ethos of work, and without suppressing passions: the suppression of passions is not only destructive to the individual, but to society as a whole. He argued that all sexual expressions should be enjoyed as long as people are not abused, and that "affirming one's difference" can actually enhance social integration. The Saint-Simonian feminist Pauline Roland took a free-love stance against marriage, having four children in the 1830s, all of whom bore her name. Wagner's position seems quite similar; he not only advocated something like free love in several of his works, he practiced what he preached, and began a family with Cosima Liszt, then still married to the conductor Hans von Bülow. Cosima had been one of three children born out of wedlock to the ultra-popular Hungarian composer and pianist Ferenc (Franz) Liszt by Countess Marie d'Agoult. Though apparently scandalous at the time, such liaisons seemed the actions of admired artists who were following the dictates of their own wills, rather than those of social convention, and in this way they were in step with their era's liberal philosophers of the cult of passion, such as Fourier, and their actual or eventual openness can be understood to be a prelude to the freer ways of the twentieth century. Friedrich Nietzsche spoke occasionally in favor of something like free love, but when he proposed marriage to that famous practitioner of it, Lou Andreas-Salome, she berated him for being inconsistent with his philosophy of the free and supramoral Superman, a criticism that Nietzsche seems to have taken seriously, or to have at least been stung by. The relationship between composer Frederic Chopin and writer George Sand can be understood as exemplifying free love in a number of ways. Behavior of this kind by figures in the public eye did much to erode the credibility of conventionalism in relationships, especially when such conventionalism brought actual unhappiness to its practitioners.

That European outpost, Australia, which began its existence as a penal colony, had a much more flexible view of cohabitation and sexual bonding than was known in Europe itself at the time, "Neither the male nor the female convicts thought it was disgraceful, or even wrong, to live together out of wedlock."[20]